So long as there are people constantly texting, loudly munching popcorn or guessing what's going to happen next, the cinema will always be a painfully frustrating experience.
I go to the cinema a lot and if you asked me in conversation about things I love I would more than likely say amongst unbelievably smelly cheese, jewellery and that new davidoff advert with Paul Walker that I ‘love’ going to the cinema. But I’ve realized lately, hand on heart, that the joy of witnessing celluloid magic collectively, the shared experience of it has seriously lost it’s sheen. It is now far less about the wonder of universal feelings, those ‘we are all different but really we are the same’ reassurances and more about holding back from throwing a shit fit and hurling abuse at my fellow cinema goers for their annoying behavior. NB. I would never do this. Not because I’m all zen or anything but because I don’t believe in talking in the cinema.
YOU ARE NOT SAT ON YOUR COUCH WATCHING A FRIGGIN’ DVD.
Cinema seats used to be hard and distractingly uncomfortable things and now, thanks to the rise in boutique style cinemas, especially in my area of North London they resemble lazy boy chairs, with a table for you to balance your glass of pino noir to quaff till your hearts content. All of this I massively approve of but for the fact that these elements make selfish gits forget they are not home alone. They are not sat, feet up on the sofa with their girlfriend who can zone out the banal commentary they provide to films, and somehow still wants to sleep with them after watching them eat popcorn like a pig at a trough but that they are, in fact, in a public place with 60 odd other people who have also paid a crazy amount for the privilege.
I honestly don’t understand people who talk in films. How brief is their attention span, how self important are they that two hours cannot go by without some else hearing the sound of their voice and all the interesting and valid opinions they have to offer? I blame the blogging generation.. Ahem . But seriously, I’ve noticed that cinema talkers tend to fall into three camps:
Dialogue stops - we start
Dickheads of the world, movies are made up of more than people talking to each other. The bits where dialogue ceases in the film is not like pressing pause where you can get in a few moments gabbing about what happened at the Christmas party between you know who. The scene is still being set, the yarn continues to unfold in the sweeping shots across New York’s city skyline, in the montages of time passing, in the score that someone spent hours composing exactly for this moment to move you and your missing it all - you fools.
Externalizing that which normal folk just think and feel inside or talk about afterwards over a bacardi and coke
You get the picture.
From Public Eye To Cracker: A History Of True Brit Grit On The Box
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